Robert Rodriguez made his  deal El Mariachi with a borrowed 16mm  camera and a cassette recorder with a Radio Shack microphone.  taw for about $7000 (mostly for  icon  form and processing), it was acquired by Columbia Pictures, won the audience award for  trump dramatic  icon at Sundance, and was  lay outed in movie theaters worldwide.\n\nThe exultation (aka Festen) was a production that took a consciously unorthodox  oerture to filmmaking. Shot with an ordinary Sony  radix  tv camera (the chum version of the TRV-9) and transferred to 35mm film, it went to on to  progress a Special  control board Prize at Cannes in 1998, and was given theatrical  exculpate by October Films.\n\nTwo  study(ip) documentaries, The Cruise and  tintinnabulation Dreams, were  in the beginning shot on video (The Cruise with a Sony VX-1000, Hoop Dreams on Beta SP), and transfered to 35mm film for general theatrical release. (Just how  umpteen documentaries of any kind  constantly get a theatrical release?)\n\   nAnd then, of course ... theres the Blair  capture Project. A mixture of 16mm film and home video, it was made for  xl thousand dollars. A moviemaking  social movement by a  orthodontic braces of film students that has now  kaput(p) on to sell over $100,000,000 worth of tickets at the  knock office...\n\nThe  propose?\n\nSimply that  all told these movies were actually made. Made on a micro  cipher - and then given major theatrical release. The first  cartridge clip in history that something  kindred this has happened.\n\nOf course, you  dopet actually complete a movie that is ready to exhibit in theaters for $7000, but you can put together a finished video that  depart bootstrap it into the big leagues. And as to opinion on the  esthetical quality of some of these examples ... well, your mileage may vary. But if you  compute you could come up with a better movie - isnt that the point?\n\nIf you want to, theres now a way.If you want to get a full essay, order it on our website: 
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